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Selected Works

Reviews

Anora for the 43rd Cambridge Film Festival

Dory Previn: On My Way To Where for the 43rd Cambridge Film Festival

Tragic History Informs the Slow Burn Horrors of The Devil’s Bath for Paste Magazine

Wim Wenders Confronts Art, Immersion, and His Past in 3D Doc Anselm for Paste Magazine

Generation Z Has Its Quarter-Life Crisis in Waiting for the Light to Change for Paste Magazine

Third Time’s the Charm for Creepy-Fun Whodunnit A Haunting in Venice for Paste Magazine

Ernest and Celestine: A Trip to Gibberitia Fights the Power in Sweet Sequel for Paste Magazine

Barbie‘s Playful Complexity Does It All, and Does It Well for Paste Magazine

Empathetic Character Study Corsage Humanizes Empress Elisabeth of Austria for Paste Magazine

Babylon Is a Fervent Ode to Hollywood History, Drug-fueled Degeneracy and the Magic of Cinema for Paste Magazine

A Stop-Motion Marvel, Guillermo del Toro's Pinocchio Makes Its Fairy Tale Burst with Life for Paste Magazine

Glass Onion: A Knives Out Mystery Dials M for Murder-Mystery, Then Hilariously Dials It up a Notch for Paste Magazine

Alejandro G. Iñárritu Absurdly, Personally Tackles Biculturalism in Bardo, False Chronicle of a Handful of Truths for Paste Magazine

Disney Bravely Writes Its Own Flattering History in Mickey: The Story of a Mouse for Paste Magazine

Romeo and Juliet Riff Rosaline Has Star-Crossed Intentions and Execution for Paste Magazine

Hypnotic Heroism and Ana Lily Amirpour's Autuerism Paint Mona Lisa and the Blood Moon for Paste Magazine

Features

Interviews

News, Lists, and Entries

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